©2008.zlgdesign
roofline view skatepark

PutraJaya's Skate Park has a roof-line ridge design that is made from steel channel, welded connection, painted and mechanically fixed to roof edge. Slender columns support the big roof, with white painted cement board soffits. Much of the entrance is kept very simple with wash aggregate and cement finishes applied to almost all of the visible surfaces including ramps and the steps leading to the elevated arrival point.


©2008.zlgdesign
skatepark entrance view

The ramp leading up to the elevated levels of the skate park looks into an arrival area with high ceilings, with the car park drop off and entrance to the right. Early photos show the planting of trees as part of the larger landscape strategy to reinstate all of the trees removed at the beginning of construction. Sports persons and VIP personnel take the route below this deck through a tunnel leading to the Skate Facility on the opposite side. Beyond this point we see the hills separating this facility from the second building which is the Climbing centre.


©2002.zlgdesign
model of tower and foreground boulevard

Miri Towers were designed as pair of gateway buildings, each one for separate clients. The boulevard leads to the waterfront city, and will have landscaped streets and recreational activities throughout its entire length. The towers are designed to be green, the upper levels open up to terraces and decks that have lush trees and courtyards planted to give a natural forest ambiance. The towers are designed also with a high ceiling for the recption floor with an immaculately detailed soffit whose designs are inspried from the hull and keel of boats.


©2002.zlgdesign
model of tower for waterfront Miri

zlgdesign was commissioned some years ago to develop the Waterfront Project for the Miri City of Sarawak. Two twin towers were presented, forming a gateway to the City Centre, the podium has a marked splay to accommodate the base of the 30 storey office towers. The facade has a receding glass line interspersed with heavily bladed louvre walls, rising slowly to a multiple volume penthouse accommodation at the top floors. These premises offer a panaromic view of the city and the new waterfront.



early 3d study of massing for KResidence and Tower B


We find it so extraordinary that after nearly 8 years working on this project, that people still wonder who actually put the buildings together, and that the question still arises who designed the podium and architecture of the towers. Its also unbelievable how far some people go to disguise facts. Indeed many firms including the Consultants themselves claim to be the designers. We are puzzled, and equally amused.

zlgdesign worked on the original Wong and Ouyang Scheme from 2001, and ever since the proejct never looked the same. One only has to review the locations of the lifts shafts, the styling of the facades and also the internal workings of the podium plan and the tower configuration and styling of the shape of the towers themselves. zlgdesign added two new entracen canopies and also removed and deleted the skylight for the podium and added two new floors above for the Spa and the recreational facilities for the two towers. At this time we worked with Christian Liaigre for the preliminary layouts, and Morita for the Showroom.

Massing studies from the beginning resolved to make both towers similar in fenestration but different in fenestration and final detail of glazing. We wanted KResidence to be generally white and creamy, whereas for the Hotel on Tower B the skin can probably take on a very transparent facade, but not with move-able or retractable screens, with possibility for colours and patterning. The podium on the other hand has a louvred wall with a powder coat finish.


@2005.zlgdesign:view of the atrium

Avenue K's most immediately recognisable feature is its white floor, conceptualised to promote a museum like feel to the whole building, beautifully finished in resin white RAL 9010 tone, with power float hardener and aggregate imported from the UK, selected in accordance to a durable colour pallette. The glazed "shop-fronts" lend themselves to becoming a video wall, designed for larger than life projection of animated films and cinematic images in the near future. The 17m tall atrium also looks up to a precision jet black perforated metal ceiling, designed in collaboration with master builder Shinwa Metals. The ground floor currently connects to the neighbouring KLCC Petronas Towers underground Light Rail Transit station.


©2008.zlgdesign
view of skatepark facility from field

The challenge park facilities comprise two buildings of which one is for Skate park, here the view shows the corner of the main building with fully glazed upper storey walls and a slimline roof edge detail. The entire ceiling is made from one material: homogenous white cementitious boards with random light fittings.


early site photo: determining the platform levels

One of the key decisions for this project was deciding on the levels for the ground slab, the formwork seen here is set on a gradient, on a ramp, rising slowly to allow vehicles to go underneath the 'bridge' in the middle of its length, but allowing visitors to approach the entrance levels without restraint on one end. None of the surrounding trees have had to be relocated or removed, the plan has been laid out precisely to avoid cutting trees, the floor is generally about 1.5m above the site.


view of the entrance of climbing centre

The Climbing Centre facility in PutraJaya has three wall climbing areas, for competition and training. The slate finish on the external and the zinc roof are materials that lend themselves to a rustic finish but yet modern in the way of its execution. Very tall and slender steel columns supporting the entrance canopy has been made as thin as possible to reduce all structure to its element. Stretchmarks Asia will now be looking at the supervision, supply, construction, completion and maintenance of the climbing facilities, inclusive of training and operations. We currently in consultation with Patrick ANDREY of Stretchmarks to determine colour scheme finish and operational issues leading to handover. This facility is located in Precincts 6 and 7 of the Core Island of PutraJaya.


view of living area with rustic floor

The open plan of the Lim House [or Plywood House] brings about a very deep daylight penetration into the room. Dark coloured floor boards and exposed cement finished columns and bare ceilings add to the character of this heavily renovated interior. Built some 12 years ago, the house still bears an uncanny modernity due its simple layout, strong geometry and clean lines organise the room furniture, added to this a minimal decoration.


©2005.huatlim
-large canopy detail provide a covered walk
across the entire length of hospital


After much considered development of the plans and building sections, and exploration it was resolved the hospital is best laid out to embrace an existing garden, offering patients the best use of their natural setting, a view looking into this space was most welcome by the Clients. Further into the scheme we examined other salient features of wellness and hospital designs, including that of an open plan, ability for way-finding and orientation without too many signages and so forth. This project was presented and executed upon the invitation from LDY of London.


roof designs allow patients to look out to a garden

The Belfast Hospital project was commissioned by LDY of London to zlgdesign and the basis for Huat Lim's sketch was to establish a new frontier for hospital and healthcare design. Based on his understanding that wellness depends largely on external awareness, also daylight penetration and connectivity to nature the architecture proceeded to establish strong relationships in the schematic designs for patient rooms. Each person gets a view out of their rooms, with little or no effort at all.


looking up the boh visitor centre from road below

www.zlgdesign.com

©2008.zlgdesign
site photo of ramp leading up to the skate park

The Skate Park Centre has a wash aggregate finish contrasted to a finely detailed glass cladding and powder coated steel structure. The ceiling is smoothly finished in cement boards and terminates in a clean edge detail. The concrete ramp, finished in natural cement render will itself be made to look a part of the walkway, folded and rising slowly to reach the elevated floor. The surrounding site will be generously planted with trees, some of which are being grown in a nearby nursery waiting to be moved to the premises. Price escalation in building materials has made it very difficult to maintain quality of execution of this project, we have however managed to keep most of the finishes specified at contract.


view of bar and waiting area

Crystal-like furniture and white furnishing make up this very ambient space for informal meetings, with spray painted perforated/slotted designs for a separating privacy wall. The conference areas are simply a delight to approach. With
black ceilings with delicate bell lights to adorn the passageway, with softly lit interiors for the rooms, this space is connected through beige carpet floor. Along one side of this is a sculptural shelving unit for display of information kits and reference and reading material. [first written 5th Nov 2006]

See also: digitelecoms

contact

Architecture is about people. We collaborate with experts and special people like you at all levels of our work. Please send in your job inquiry or proposed collaboration to any one of the following contacts:

Huat LIM : huatlim@zlgdesign.com
Kamen LEE: kamen@zlgdesign.com
Susanne ZEIDLER: szeidler@zlgdesign.com

telephone: 6018 9293939
facsimile: 6018 9283939
email: info@zlgdesign.com
website: www.zlgdesign.com

We are located in Kuala Lumpur but have work in many parts of the world. Our company gives opportunities to those who wish to share our design and cultural philosophy which is that we do buildings that preserve trusted traditions and customs that has been the DNA of great architectural work. We believe that good design starts from understanding the human condition and embracing passion as a necessary precursor to any aesthetic act.

Our business address is at 1-8 @ d7 no. 800 Jalan Sentul Kuala Lumpur Malaysia.



zlgdesign always maintained and believe that architecture is about people and never about style or about winning 'beauty' contests, although they enjoy research and intellectual discourse but never competition for the wrong purposes. They embrace whatever ideas or concepts that come in the way of development of their designs, whether this necessarily makes sensible methodology or not. These processes are not ends but means to create something unusual and unique and more specific and exclusive to either the brief or the physical contexts. The Duyong project for instance derives its concept from the place, many of the design features borrow heavily from the arts and the culture of the fishing village of Terengganu, whereas the AAR Centre contemplates on the essence of the site to inform the built form.

Today's buildings are designed to fit inside a parameter largely defined by their archetypes. This concept presents a challenge to zlgdesign's creative process as it embraces the idea of non-exclusivity between one building type to the other. In this context zlgdesign work away from mainstream typological sets, in fact they actually design ambiguous spaces or third spaces that exhibit truly hybrid functionality in the final execution.

"If it doesn't engage or connect with one's emotion, or if it's just not involving enough, we'll probably just throw it out the window. We won't want to take the design all the way to the end if it's not intriguing enough, and doesn't hold any mystery or surprises...it really isn't worth development time. The drama isn't going to be there by the time we're finished with it, there isn't going to be enough of it to sustain an experience", says Huat Lim.

Our latest project, Onyx is on the drawing board.

view of visitor centre from road below ©2008.zlgdesign.com

You may visit some of our key projects listed below to have a quick snapshot at the things we do. Principally these are collaborations between international designers and architects [avenueK, challengepark, kenny heights], on many of them we research and also test ideas particularly where we find opportunities to use natural materials and propose low energy solutions. These projects have been executed without need for extensive use of pre-fabricated elements. We do projects that reduce waste and we would really like all of our projects to avoid harsh environmental intervention.

challenge park
boh publication on world architecture news

©2005.zlgdesign
CAD model of RedCross mobile station
application on metal cladding


The tecnopod has recently been built for the private steelwork company MSSA, to test the viability of a portable design to meet with the urgent needs of displaced communities in need of instant schools and housing for the east coast of Malaysia. Today it remains to be adopted and financed to meet other needs as red cross centres and police booths for the modern society. largely made from steelwork, the 1.2 tonne structure would eventually be built from aluminium or more lightweight materials. The cladding provides for customisation, easily identifiable logs and graphics go on the metallic skin. Link bridges are attached to the hig level interior floor to meet with flood and rough terrain, where levels can be critical to mitigate bad weather.

We look into history, and we realise how cities might have faces, and they are so visual that we place them into our minds as mental maps. Thereafter a graphic representation takes place, we remember their iconic structures, at the simplest level, or places, vide our memory of their physical aesthetic aspects, what we call the urban fabric.

On the ground plane however, we quietly engage the parks, the hotel lobbies offered to us, as pedestrians, later to reach and enter our homes, whether created by interior designers or not, but otherwise we return to more public realm, more hotel lobbies, shopping malls. These spaces will slowly evolve and prime itself [responding and being shaped] to become more specific to our needs as we demand and look for comfort and style. With that, all public realm begin to attain global similarities in design and become at once regional and indigenous, yet they self-adjust, and are re-examined by their inhabitants, person by person, community upon community, until one fine day they meet all the same criteria, as standards of comfort and adopted styles become more global.

Design solutions, all over the world, transform specific architecture into mere homogenous building types, no longer specific to region or culture, even geographical features. Through this slow but sure process of decay and decomposition, the city will in fact have become extremely uniform. Buildings after this point, are visually differentiated, they chance on pure designs, of its more visible structures, namely larger buildings, or more easily, taller iconic architectural exploits. At street level, these icons surprisingly do not define the architecture or the genius loci of the site, as being unique to any one particular region or locality, they barely speak of the place. ©2005.huatlim


study of the soffit: plywood detail

The ceiling of this restaurant in Pulau Duyong, located off the coast of Terengganu, has an aesthetic derived from that of a boat. The design is aptly conceptualised, it borrows heavily on the craftsmanship and the traditional arts of the Malay fishermen of the area. The posts are sculpted to look very much like the masts and keel of their boats, and the ribbed effect is similarly inspired, looking very much like the structure of the hull of a boat under construction. The project was hurriedly built to cater to the Monsoon Cup Boat Race held late 2006, and will be the host restaurant for many more races to come.

©2008.zlgdesign
perspective view of the three curvilinear towers


Parcel 1 is first of upto 10 different plots of developments coming up in the upmarket vicinity of Sri Hartamas and Kenny Heights, Kuala Lumpur, altogether some 70 over acres of prime development land. Parcel 1 has over 1.1 million sqft of saleable area, comprising 300 units of high end condominium units in the first phase. zlgdesign's curvilinear towers flank an enormous water body on the arrival podium, this represents over 300m of poolside facilities and landscaped terraces and courtyards. Orignially plans were prepared by Urban Planner John Jerdi, but now since zlgdesign's involvement the entire masterplan has been re-designed to generate more value and sales revenue.

A modern garden city in its own right, the three white towers will look into Parcel 3, to be designed soon, perhaps in collaboration with at least 5 reknown British Architects, amongst them David Adjaye Associates, Conran Design, Make Architects, Thomas Heatherick and Benoy.

Parcel 1 has every single unit facing the vast open spaces of Kenny Heights, and is remarkably located within 5 minutes of the King's palace grounds. Sir Norman Foster and Partners and Zaha Hadid Architects have now commenced preliminary work on Parcels 3 and 6, to be launched and developed immediately after Parcel 1 and parcel 4.


light box and wash basin column

The Virtual Bathroom also known as the Forest Bath or Calvin's Bath is one of zlgdesign's foremost conceptual work- the bath is a seen as a temple for the celebration of water, and the epitome of sanitation and cleansing. zlgdesign has given us a room dedicated to the ceremonial act so much ignored in our modern day lives, zlg's concept has taken many development to the edge incorporating this most ingenious way to present a room that doesn't glorify any fitment or decoration making this most utilitarian function a delight to use, uncluttered and devoid of golden taps and shiny faucets ©2005.huatlim


©2005.huatlim
view of sliding panels: open plan shower


Lim House [or more passionately known as the Plywood House] is about 15 years old today. It is actually an interior architecture project, three bedrooms were taken down, two bathrooms relocated and an entire kitchen revamped. Doors and Windows were opened up to let more daylight in, floor finishes gutted out, ceilings removed, and almost every internal wall omitted and taken out for want of open space and adding more visual connectivity between what is left of the rooms. Today the decoration is so minimal it looks uncomfortably bare, still looking curious as ever after nearly twenty years since its execution. Four custom made plywood partitions slide across each other along a 10m long room, behind these 'walls' we find a washroom, then a store, an open shower with full height glazing, and then a mini library with full wall of drawers. These very basic and bare bones floor finishes add the extra 'edge' to the overall look and character of this three bedroom house.

Plywood House went through extensive renovation, almost every conceivable non structural or internal wall has been removed and re-arranged safe for a few. Clearly this new minimalist concept house has no other embellishment except modern furniture. There isn't any visible decoration of any kind. Later, old styled wooden strips and antique Malacca "dutch" tiles inserts were placed on exposed finish cement floor, protected only with a thin coat of clear polyurethane paint. Only the simplest and the most economic materials were employed for the construction of this house, the use of locally sustainable and available building techniques made it cheap and easy to build. This project took under 4 weeks to complete, for a budget not exceeding USD12000, including all the fixtures and built ins. ©2005.huatlim

zlgdesign's very own approach to design as a process in their organisation is one of self-critique on their customised proto-typing and exploration techniques. Huat Lim and Zeidler call this design intelligence, revisited and built over many years to survive critical investigation and intellectual discourse on all levels of their work.

The entire design process appears to do away with adapting to or embracing mainstream typology in buildings, they take a stance and following sometimes very intuitive and artistic directions discovered and later set down at the onset of their conceptual phases of design, minus the styling.

zlgdesign's more minimal work belies warmer and more democratic proposals that can still exhibit simple solutions with cutting edge edge ideas. Other work gravitate towards using elements from the old world placed inside modern times 'envelopes'. The contrast or tension resulting from these associations and juxtapositions in their work is a constant characteristic feature in recent and upcoming projects. These explorations of bringing together heritage and present technology or research has become constant inspiration to their thinking.

"God created paper," Aalto wrote, "for the purpose of drawing on it. Everything else is, at least for me, an abuse of paper."

On what motivates them to design, Huat has this to say, "Thought is a form of necessary action, a precursor to a possible work of art. If one cannot imagine it in the head, then it's not likely to get built the way it should. Getting that evasive image in one's mind's eye and then executing it is what it's really about. We usually start off with a two minute sketch."

zlgdesign was founded by Huat LIM and Susanne ZEIDLER. Their work revolves around ideas and concepts that go beyond predefined architectural pursuits or entities. "We simply want to engage the human experience, " says Huat. "Yet there is always the problem of architecture taking a bit too long to becoming like what good art is, immediate, generative and always assuming an emotive role. We have yet to make it possible for architecture to connect as immediately and emotively to us as art does, or music. We connect more easily to things we adore like our children, or our books."


avenueK


the balcony overlooking the atrium wall

The pristine and 'museum' like quality of avenueK's atrium has been achieved using a palette derived from food colours. This luxurious upmarket boutique and niche shopping mall is located across the road from the more widely known KLCC Petronas Towers, now in its 3rd year of completion. The projecting balcony overlooks a deep atrium space, resting precarious under a black perforated metallic ceiling panels, each one uniquely cut to fit into a curve.

AvenueK has a total retail area of over 300,000 sqft, some of whihc has been realised in the lower basements for food and beverage outlets. These lower leves connect to the Light Rail and Underground Rail Stations of KLCC. The atrium lighting by Anne Militello of Vortexlite USA is dramatic, the lighs are housed within a slotted shadow gap, they project coloured images and white light onto the floor as and when desired. The floor below is finished in creamy white resin.


©2005.zlgdesign
balcony detail: view over the tea estate valley


Sungei Palas' Tea Plantations has a new BOH Visitor Centre, located in the highlands of Pahang, looking far beyond into the hills of this 1,600 hectare land previously forested and later converted to what it is today through extensive land cultivation from 1927 by the late J.A. Russell and his family. Caroline Russell who is a Malaysian citizen now runs the tea business her grandfather started during the recession of the 1920's.

Boh's elegantly designed terrace gives visitors opportunities to look into this awesome tea estate. The specially designed bamboo ceiling and cement boards and the simple black stained wooden floor boards are altogether a sustainable design solution for a building which could easily be taken to be as old as the estate but looking new and fresh from its execution and details. It offers a large deck which is breathtaking space for enjoying tea.

Minimal detailing for the metal railings and exposed structural steel columns are finished in durable weather grade dark gray paints making this a very economic building indeed for the size it is. The 7m shallow depth of this naturally ventilated space makes this a very bright and cheerful place for a sustainable recreational design, with absolutely no need for any extensive use of artificial lighting and air-conditioning, safe for the audio visual rooms and some parts of the retail or sales area.

BOH Visitor Centre has already been accorded two prestigious awards recently; the Barbara Cappochin Foundation Award and also the Cityscape Real Estate Corporate Award presented in Italy and in Singapore respectively. Boh also won PAM award for best building last year under the Commercial Category.

This is Kenanga, close up, the view towards the f/b area where most of the public will come into contact with the building. We hope the immaculately detailed blockwork facade can also be experienced from within the project, casting elaborate shadows and light into what would be over 1 million sqft of unique wholesale retail development with elevated car park for over 2000 in the final phase.

This project is interesting for its unusual and most historic location, famously known for many many years as a place where all of the main textile merchants of Kuala Lumpur would come to trade their wares, but also for its most unusual scale, a structure that is almost virtually 23 stories tall, over 1 million square feet of gross area, for which at least half are retail lots. Almost everything traded in these stores are textile based products, jewellery stores and small items catering for the local fashion entrepreneurs. Similar centres exists elsewhere in the region, but this would be Kuala Lumpur's first.

Kenanga Wholesale City is also a building which is to be constructed from natural materials, and fair faced concrete. On most al of the facades, the 400x200mm blocks are arranged in a facade that is left exposed apart from a coat of paint to keep the face clean and without blemish. This very natural approach will be used throughout the entire building including also the interiors which will comprise natural steel framed courts and bridges in the upper floors. The only finished parts relate to circulation elements, as escalators and lifts and some of the very generous skylights and glass canopies. These are finished in great contrast to the more rustic and gutsy materials used for the walls and floors.

The building is easily very iconic. It has a facade design that is completely extraordinary because of the scale for which blockwork is used to line the elevations of at least two of the facades, in some respects they appear as skin or indeed fabric for this enormous building. The glazed and openable window elements of the facade has been made more attractive by arranging them the most irregular graphic fashion. The 5 levels of elevated car park is accessed through a series of very long concrete ramps, these are lit brightly through the sides of open faced naturally ventilated blockwork. Further up, the Kenanga Wholesale City building are three levels of accommodation surrounding a courtyard. These retail units are meant for recreational, food and exhibition purposes. With the vast amounts of daylight on these levels, and with potential to attract retailers worldwide, this building may indeed become the new Wholesale centre for the region, given its very prime location and its proximity to the city centre of Kuala Lumpur. ©2007.zlgdesign


kresidence


photo of facade of KResidence, seen at night from KLCC tower entrance

Tower A in avenue K is now in good progress, finishing off in white, with slotted open balconies, glazed and screen printed in enamel-paint white bands for privacy. This 42 storey tower, aptly named KResidence with some 19 different unit types currently sells at above USD500 per square foot. zlgdesign has led this design for over 8 years now, and more recently engaged to commence Tower B, which will now be Regent Hotels. The facade looks simple enough but it bears two layers of glazing, one inner leaf for sliding panels and the outer layer for concealing air conditioning units and bulkheads for the kitchen exhaust outlets.

Sales went out two years ago, the latest transaction went for USD500 per sqft making this development one of the most luxurious and desireable residential property and real estate in the vicinity of the CBD area of Kuala Lumpur amongst expatriates.


a photo taken to show off the approach road
which is long and narrow and beautifully covered in grass

Last week we took more photographs of the Boh Visitor Centre. This time the approach taken was to present views never before seen, the dirt track and small path up the slope was already a favourite alternative to driving up . Most people would prefer to casually walk up the dirt road amidst lalang and lemon grass and tea shrubs.

Now in its 3rd year since completion, the BOH Visitor Centre now attracts up to 3,000 visitors a month, making it a must see destination for many tourists and architects alike.


zlgdesign has vacancies to fill for the following positions:

  • graphic designers
  • senior project managers
  • registered architects
  • 3d Studio Max or similar Architectural CAD modellers
  • experienced AutoCad operators
  • documents control officer
Please contact the undersigned for more details:

huatlim@zlgdesign.com
kamen@zlgdesign.com
szeidler@zlgdesign.com

Point92 is a new mould, we will develop this project in terms of its iconic functionality as well as its premium as an prestige and custom designed office development. The building is located in a prime area on the outskirts of Kuala Lumpur. The most visible feature is the external wall elements, to be built partly of laminated marine ply, framed laminated glass and painted cement boards sealed within a black steel framed spandrel window structure. The anticipated target gross floor area is around 158, 000 sq.ft.

Point 92 is aptly named after a very tight site, which is just under an acre [0.92 acres]. The client wanted an iconic building to draw potential investments for their real estate. The project is located right across from an elevated road and looks out from a cliff into a residential precinct. Point 92 is about blurring the territory between residence and office environment. The volumetric shapes carved from inside the shape of the building gives variation both in terms of spatial organisation internally as well as aspects of views out from within. Each space has its own compartmentalised unique features, some of the floors have their very own internal bridges, voids and double height ceilings, together they form a complex but integrated whole.

The arrival experience is one of walking through a body of water filled with selected lemon grass species and selected countryside plants, it is then linked from the drop off point to lift lobbies that rise directly into the offices. The underside of the structure is simply a white reflective surface that should be able to show effects of water movements from the landscaped pools below. At night, we contemplate the options to light up this undercroft or soffit to give the building its surreal feeling of a floating box. The facade is composed of 50 % glazing and the rest is of wooden panels or cement boards. The checkered and patterned facade comprising 800mm wide panels allows for deep daylight penetration into the building plan. The block is further supported off a minimum number of columns to express a generous and unobtrusive view of the landscape beyond. The podium structure consists mainly of car parks to be greened on the edges to resolve the connection of the main building to the ground.

Point 92 will be built for under USD10 million, delivering up to six tenancy possibilities, each designed to be very different from the other.


The revolving restaurant at Federal Hotel has been the choicest place to be for that grand view of the old city of Kuala Lumpur, its located at the very top floor of this most famous of hotels in Malaysia, first opened immediately after the independence of old Malaya. zlgdesign concept brings back the old world charm and glory of the restaurant conceived to give diners a private view embellished in grand style. A strong colour and a keen touch on immaculate details give this interior a fresh look at fine dining, and a destination to reckon with, truly refined to make this the desired place for that very special and intimate occasion.

A very interesting feature of this hotel room is the very long continous and curved hardtop and the open bathroom concept, offering the unusual opportunity to view the city skyline right from the bath tub, but also giving the space an unusual twist to its experience, in that both bathroom and bedroom become one.

barbara cappochin foundation award


zlgdesign is proud to receive the 2007 International Barbara Cappochin Foundation Special Prize Award for their BOH Cameron Highlands Visitor Centre. The building is located in the Highlands Tea Estate of Malaysia. In April 2008, this building also won the prestigious Developer Award for Best Corporate Building under the category of Social Responsibility from Cityscape Asia Real Estate Awards Director Graham Wood. This well attended and publicised event took place in Singapore.

The International Biennial “Barbara Cappochin” Prize for Architecture is launched in Paris. The purpose of the Foundation is to remember Barbara, a young student of the Faculty of Architecture I.U.A.V of Venice by promoting high quality architecture. This quality can only be obtained if the three essential figures, the Contractor, the Designer and the Constructor, work together to identify that thin line that connects life and architecture, by focusing on choices, ideas and materials in order to attain high quality results. This is the objective of the Foundation.

To the above we write that Boh Visitor Centre has somewhat been a very special building in that it serves the purpose to bring about awareness of the natural environment which was the tea Estate, and also to bring forth the enjoyment on the other hand of a facility that has long been neglected by the general public. This building made it possible for a public building to be beautifully designed so that architecture can be enjoyed without great expense of money and public funds. A cost effective design that looks good, and that provides for an awareness of what good design can bring to the public without heavy costs.

During the process of construction as architects we insisted that no tree be cut, and that all construction work be carried out with minimal disturbance to the livelihood of the workers there. To that we retained all existing buildings that were meant for workers squatters, where they stayed for at least 50 years. The new building avoided the removal or destruction of these huts and shelters. Even the old warehouse and toilets and store room were kept exactly where they were. During construction the original offices where the Client worked did not have to close down, they could continue to operate the business without any interruption. The Project took in the demography of the place and the people.

The materials used for the building were taken mostly from the local area, the contractors were also form the nearby estate. With that most of the work were given back to the people of the region. Fallen trees and old wood were recycled from the estate to give materials for the facade. Only the simplest technology were required to assemble and create this new wall. The new toilets were naturally ventilated no complicated fans and ventilation systems were needed inside this building to keep it fresh and clean. The entire building glazing were kept open and transparent to bring in natural daylight. Tall windows throughout the Project meant little or very low energy levels were required to operate these premises. Energy conservation is therefore a very important aspect of this social Project.

We used a steel framed design to minimise impact to the natural ground. The foundation design was simple, the footing were made from simple concrete pads, and the steel structure was light enough to maintain the balance of the terrain. Any heavy soil work would have caused unnecessary drainage costs and risk or soil erosion and flooding to the villages below.

The steel work also made it easy to cut out areas where there are trees, so that they need not be removed or relocated. In the early planning stages the plan geometry was drawn up specifically to avoid clashes with trees already in the estate. The steelwork also allowed for a fast construction without waste of manpower.

Visitors were not allowed to bring cars right up to the centre, they were required to walk up the slope and this made it more enjoyable for visitors who may now appreciate the site more intimately. The decision not to bring the cars up was a good one as we were able to keep the original character of the pedestrian walk way up the slope, which was very small and narrow. Widening this would have made it impossible not to cut the hills. This Project has succeeded to preserve the natural ecology of the place.

Boh has been published also widely online and in architectural magazines worldwide. See World Architecture News.

view of Astro's new main entrance
seen before reaching the 'forested' courtyard


Astro's new broadcasting studios and offices has a green agenda; to retain as much as possible all the natural features of the Site, and also aim to utilise daylight and wind energies and building materials that lend themselves to minimising waste of any form. This view shows how the two sides of the building share a common centre, whose main feature would be gardens and water elements. This public realm comprise several terraces and balconies and a large area where tall trees are planted. On the outside, the facade emulates the two aforementioned spaces coming together. This symbolism shows solidarity and cooperation, a conceptually powerful stance promoting Astro's corporate image and philosophy. There are level chages between the two sides, and these are resolved through various pedestrian ramps, walkways and link bridges and also stepped ramps.

The proposed concept for Astro consist of a layout that defines the administrative area as a specialty zone, with ambient details that give it a special quality. Such makes the distribution of the project budget specific, the workstations commanding an efficient arrangement, but not necessarily high costs.

The surrounding architecture comprising existing windows are treated to 'disappear' with the application of tall full height dressing, whether curtains or wall decorative panels that allow views out but not revealing the short windows, or optionally we seek the opening to be enlarged, this requires some expenditure to the facade and entails some work to the building elevations on the external. We will provide services to Astro to make this application to the Authorities. The idea here is to reduce the impact of the existing shell, and to renew the ambiance, making the interior a simple envelope.

With the use of timber or some other warmer materials for static areas to the layout, we differentiate break out or meeting areas to that which is circulation or common areas. Here we use quality carpet, and with that we achieve a simple scheme with conscious effort to put the costs where it matters most. The lighting will pick up special areas, and recessed ceilings and troughs will delineate territories where it is visually required to give good reading of the design intent.

From our own experience we are proposing for at least two to three break out areas for the general staff, as we find communities and 'families' of workers work well to give the sense of place and belonging to this quadrant. We know any group of up to 30 persons need at least one break out area, or a place they can go to for contemplation and resort.

The association of spaces to artwork and well appointed cultural elements will make this design unique and iconic. The introduction of art and specialty forms that are reminiscent of user cultures, sculpture and decorative artistic crafts placed in strategic areas act as visual anchors but more importantly they weave back our sensitivities to our work place. This is clearly a very abstract but practical choice for users, given Astro's own commitment to the arts, and the betterment of society's connection to all artistic forms of media and its physical manifestations. Such is the concept that we hope will make this ID one which brings out the personality of the workplace and that which can evolve over time, and one that allows a dynamic interaction and participation from the user.


@2005.zlgdesign
cad model of visitor's lounge


Digi's waiting lounge for the VIP rooms take on a simple yellow trough on the ceiling, and white palette for the finishes. Stark modernist design attitude with emphasis on demarcating the static spaces for seating areas without need for partitions make this interior somewhat more formal than it really is. To the right we see formal meeting rooms and training areas for guests, a bar and light refreshment counter is placed at the end of this room.

ribbed elements of the ceiling and wall

Duyong Restaurant is a conceptual work, derived from reflecting on the anciently beautiful art of boat building. Completed in good time for the very first Monsoon Cup Event on Malaysian Waters, the restaurant enjoyed popularity both for its design as well as the quality of its services. The accompanying detail of the ribbing effect of the partition wall, the ceiling designs comprising laminated plywood timber cut-outs and the material all lend to a convincing resulting atmosphere that is akin a fishing boathouse. Based and developed completely as an abstraction of and reference to the boat building aesthetics of the far-east and the coastal fishing villages of Malaysia.©2007.huatlim

"..there is something to the craft with boat building that is so simple, so graceful, and yet the aesthetics... is really cutting edge...we thought to borrow from it to inform the interior architecture, seems more rooted once we recognise the link to the people of the area, and their artistic history" Huat LIM



©2007.zlgdesign
an open bedroom concept with unique detached canopy detail


zlgdesign's maldives chalets take on a simple floating box built form, easily accessed through a very open and spacious sun deck. The full height glass windows offer spectacular unobstructed views across the oceans right off the bed. Generous and open, this design breaks the rules of traditionally rigid and overwhelmingly boring hotel bedroom or chalet architecture, and brings about a much more relaxed and informal way to stay out in the ocean, the proposed layouts give guests a completely refreshed look at resort and recreational lifestyle, unique to zlgdesign's philosophy of working outside the realm of acceptable typological norms. We don't suppose there can be so many ways to reconfigure and reinvent the shape of chalets to come, but for certain this unorthodox shape and layout will offer hotel guests, visitors and designers a sample of what is possible if we chose to break the mould.

Early study of building mass
©2007.zlgdesign

The Kenanga Wholesale City Centre has been a recent project, an exploration by zlgdesign, principally using natural materials. It will be one single address for wholesalers meeting their requirements, some 300 of them now reside in the back streets of busy Kuala Lumpur. Project is deemed to pull together something like 1200 car parks to sit atop a 7-storey custom designed retail floors, accessible through at least 6 high speed lifts. On the rooftop sits a three-storey courtyard office enjoying a treelined f/b facility with ample space for businesses to engage in exhibitions and promotional events.

The approach roads to this building has had major reviews for a wider reserve, given the extraordinary capacity for the car parks located on the higher floors of this structure. The grand drop off promises to be beautifully landscaped and will have good access for public transport, but also serving to be a pleasant arrival point for pedestrian and visitors to this fashion center.


@2007.zlgdesign
model of the a.a.r. roof structure

Towards the end of last year we saw the emergence of a new direction for one of our commercial schemes, it combines the aesthetics of Parcel 4's offices and materiality of BOH Visitor Centre, an humble execution of a building utilising the most affordable and basic finishing materials. As with the early philosophy for the IBM Cosham building designed by Lord Foster, the architects proposed that external awareness is of great importance to one’s productivity. So came about open plan office designs, but today, we know comfortable interiors and proper lighting, amongst many other aspects of good design finally contribute to a workable office plan that is timeless and durable. Our take on the design for AAR is about all these things and more. We will introduce an intricately-woven scheme, immersed with the landscape, and one that boasts breakout areas for an intimate working environment for the staff. An interactive styled building, both responsive and evolved over user requirements yet specific to the immediate needs of the Client. Shaped for the future but sustainable in the use of building materials, extraordinary but simple at the same time, elegant yet affordable, all features of what we feel is the modern building with potential to take modifications over time as well as demonstrating a personality borrowed from how it is used and expanded with time. The 3-storey structure is at once about views into the custom designed landscaped courtyards, and also about preserving the open space and minimising the footprint of the building. This approach promises a proportionate relationship between the built form and open space, a feature that immediately suggests that the externality and outdoor designs of this project warrants careful consideration of its parts. Totally conceived to be integrated with the landscape, this is in line and is consistent with the Client’s ideal for a themed or resort office. The interior embrace the exterior and vice versa, essentially one can work on the terraces as well within the confines of the spaces inside the building. In terms of energy and conservation, we have made provisions for the use of natural ventilation, hence the centre courtyard to stack effect the flow of warm air, and also to encourage the chimney effect to pull in fresh air from the outside. The depth of the building is kept to the minimum levels to reduce glare, which ultimately reduces the need for internal lighting for most parts of the interior. Sustainable materials and energy consumption strategies will ensure a meaningful building design, and a solid investment on the part of the Client. Materials used for this purpose will have met criteria for sustainability, with low life cycle costs.


overall massing of avenueK with Towers: KResidence
and Tower and the new Regents Hotel


The facade treatment for the towers at avenueK has been one of opposites; Tower A, namely the KResidence will be generally glazed to the edge, with balconies cut outs to the 'skin', a simple device created to offer smooth feel to the envelope. In contrast to this, the Tower B skin is more perforated, extruded and delineated to create layers of sun shades, and 'brows'. The opposites resonate to each other, whereas the podium remains louvred, with openings to allow media projections and advertisements.

KResidence comprise of 19 different units, each unique in their view aspects but also spatial layouts and ID concepts. The larger units go to 5000 sqft, with private enclosed heated swimming pools. AvenueK will also see the emerging tower to the East side for the forthcoming Regents Hotel Apartments, rising to 38 stories, each unit no less than 50 sqm, averaging 15 rooms per floor. Designed by zlg, these rooms are amongst the largest in the city as of this time. Fully glazed and faced directly towards KLCC Petronas Towers these rooms enjoy proximity to the some of the hottest spots in Kuala Lumpur and they are within 5 minutes of the underground city railway station.


bare finished floor and decorative wall

These is a most recent photo of the Duyong restaurant project completed for the Heritage Club Terengganu, Malaysia. The fins of the partitions are derived from the aesthetics of the traditional boat building art of the fishermen of this excellently preserved Malay village.

avenueK: podium and atrium


Avenue K's dramatic interior view of the Mall, never fails to inspire us with its look and feel of a museum. Built with a visitor balcony overlooking the 17m high atrium, this mall has since attracted some of the best brands to gather here. The 3-storey high wall has been designed to receive projector images at later stages of the project.

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©2007.zlgdesign
physical model: study of sunken garden

Parcel 4 of Kenny Heights boasts a fundamentally different design approach to retail planning. Justifiably adopting an edgy art direction, this piece of work has incisions to the roof scape for maximum daylight penetration all the way down to the lower floor levels of the plan, whereas the built forms correspond to the carving out discipline of the other associated architecture around it. The total net saleable area has been put at around 3.5 million sqft.

Currently parcels 4 and 5 will be developed to meet with expectations of the REIT companies [currently WestCity PLC and Meryll Lynch] offering investments for a speculative office with designer elements, amongst others a concept for boutique design statements as grand landscaped arrival points surrounded by terraced courtyards. There will be a high quality integrated car parking system and security features to offer both residents and office workers top end service and management of their assets.

parcel 1 is currently on the drawing board, targetting no less than 2 million sqft of gross saleable areas comprising over 200 high end luxury residential apartments and selected boutiques and commercial or retail parcels.

digi telecommunications


Some 24 different ideas for informal areas have been developed for the new Headquarters for Digi Telecommunications Centre in Shah Alam Malaysia. Amongst others are the blue corridors and the rotating meeting rooms. Ever since the completion of this vast interior project we have been asked to look at many more projects, to give what Clients describe as livable rooms and spaces for the workers. Mainly concentrating now on communications projects, including broadcasting studios [Astro and NTV7] and also the more recent inquiry from Maldives for their Telco Centre, we hope to bring further the development of interior designs, with the idea of making work places more like living rooms and introduce informal break out spaces for office space.

www.zlgdesign.com